I try not to be too personal in my writing. Even when I write about myself or about my experiences, I prefer to look at them from a detached perspective. Strange enough, when I write about fictional situations I may be more honest than when writing about myself. To be honest, I don't think that I personally am very interesting, but rather that the people around me are the ones behind the wheel while I offer commentary in my Howard Cosell-voice like the Asian brother in Better Off Dead. Given my own actions to end up in situations unfamiliar to other people, this might just be me trying to downplay my own originality. However, I read other people's stories, and in them I find that perhaps my story is not unique but perhaps a grotesque form of another.
This is the original post by Joe Posnanski, who I would have had the pleasure of seeing on a panel last month if Washington University didn't have twenty identical buildings and my roommates wouldn't have broken my Internet. Joe is one of my favorite writers, but is in all ways not like me at all. He's a journalist, he meets deadlines, and as he mentions often in this story lacks imagination in the sense of fantasy and science fiction. I am a man who hates deadlines and deals so much in imagination that his real life always pales in comparison to the worlds I create within my head. But this story is familiar to me because it is my story, except I was the nine year old child.
My parents are pragmatic people, at least from my view. My father worked over thirty years as a teacher. He worked late nights coaching Junior Varsity and Junior High sports, putting on musicals, putting together a yearbook, time keeping basketball games, and grading papers. I don't want to make it seem that my dad wasn't there when I was young, but I seem to remember quite a few nights where he wasn't. This isn't typical complaints as you will see. But if you have six kids someone has to put food on the table, and teaching by itself will never do that in America. Then again, he was there almost every night to tuck us in to bed; we never do anything quite like the normal family
My mother taught as well, but not that much. She occasionally did work when I was young. I remember her teaching GED classes before I was in school. Just like my sister, she had six kids and worked hard every day to be the best damn mother she could. Given how we turned out, omitting professionally, I would say she did a fantastic job, but most sons look at their mothers with such praise. Both her and my dad have incredible senses of humor and are incredibly social people, but I don't think they ever really were the social creatures their children became. The funny thing was I think they raised better friends than I will ever find.
My parents raised their kids and set them on straight paths. We all went to college. The eldest children graduated and moved on. The middle ones took a while and found their callings or at least a place to call home for a while. Ryan and I are still stuck in interesting quagmires, certainly for different reasons. None of us are bad people, though we all have our faults. As I write this, I really have no idea how our parents did this. I don't remember them ever really getting angry with me or teaching me, although as I get older I can hear sighs across the state. Then, I remember subtle things that others wouldn't notice. My parents wouldn't let me sleep with the lights on, even if I was terrified of the dark. They got angry with me for getting a ride from a "stranger" once. It was my brother's aide. They didn't make me get a job in high school, because I was a decent kid who didn't kill them financially. They sure as hell "implied" that I needed one once I became a worthless leech in college. These are small things that don't really mean much to me, but just simple parenting tips for everyone: don't talk to strangers, make something of yourself, conquer your fears, you pussy (Don't curse). Then, I think back to the one thing I'll never forget about my parents: they read to me.
My parents read to me every night for so long that I don't remember them starting or stopping. I could be laying in a bunkbed right now listening to the stories with my brother. Particularly, I remember them reading me four books, "The Hobbit" and "The Lord of the Rings" trilogy. Back in their frivolous days (if my parents ever did have such), my dad belonged to a science fiction book club. I remember this distinctly because science fiction books will always have distinct and completely moronic looking covers. Usually, half-naked men hold aloft swords while three-quarters naked damsels cling to their massive calves while fire, brimstone, and hydras dominate the background. None of these books were suitable for children, and I was an above-average reader by this point so children's books were my domain for personal reading. So my parents started with the Hobbit, an afternoon stroll of a book to start off my science fiction adventure.
*I remember listening to tapes in seventh grade on the bus, and this album while reading "The Hobbit"
**Kinda of like how Michael Gambon's Dumbledore seems to be a dick, but then we learn that maybe this is the correct way to view Dumbledore, as a dick with good intentions.
Every night, my pragmatic parents would read a chapter of a book to me, and take every ounce of pragmatism away from us. We became part of the world for a while, immersed in the story, so much that I can sing the dwarves song about breaking Bilbo's plates. But I don't remember my parents singing, and the books are full of songs. Maybe my father, ever a closeted poet, read the lines poetically, making the Elven songs even more somber. Maybe my mother actually sang them, because she's the one who would. Or they both snag; people who have a dance night probably sing as well.
However, this is where the story departs from Harry Potter. After the Hobbit, there is no more happiness, no more jest. In all honesty, it is a tale of despair, failure and struggle until the ring is destroyed. The wonder of the story of elves, dwarves, hobbits, and wizards has all come and gone, and now it is a war. I was always fascinated by war as a child: plastic army men, color maps in encyclopedias, gray faces on PBS, and now good and evil. Now, I have no fascination, because that same imagination that can picture orcs carrying hobbits to Saruman can picture Japanese soldiers carrying women through Nanking, the Russians in Germany or Americans committing the same atrocities in Vietnam. It's sad to think of the innocence that is lost to us and the wonderment to be found in fiction.
With every chapter the chances became bleaker even as the destination got closer, evil got stronger as good strives farther. I think sometimes this was my parents gift to me, not the creativity. I think the book teaches you that the right thing becomes harder as you try to achieve it. It's so true, that it is a generic saying. The road traveled had been walked upon and paved by better men, but none had ever done what he was doing. However, these were things I picked up later when I read the books. At the time, it was wonderment, sadness, elation, and confusion (There is a lot of stuff in those books).
I think about Christmas and don't really find my gifts to have been memorable (because they were toys and toys have expiration dates), except my dinosaur that was cruelly kidnapped by my nephews and will be repossessed at a proper time. Birthday gifts are the same; I just grow less enamored with material wealth by the day. But when I sit and listen to music, drift off into daydreams, suffer from delusions of grandeur, and put pen to paper, I realize that my parents reading to me was the greatest gift a child could ever receive.
My dearest possession sits ten feet from me right now: three books my parents bought me for my sixteenth birthday. From the outside, they appear to be in pristine condition. Truthfully, the pages are coming away from the binding; perhaps, I shouldn't have slept with the books in my bed or read them so often. I'm sure there are stains from water, beer, or snow that blotch some of the pages, but the books are there, a permanent reminder of the gifts my parents gave me and of the wonderful parents I was blessed to have. For that, I will be proud for every day that I live to be called a nerd and thankful that at least in one aspect of my life, I am one of the luckiest men alive (despite having to share that luck with five others).
Friday, December 24, 2010
Thursday, December 23, 2010
The Beauty in Sadness: The AirborneToxic Event DVD "All I Ever Wanted"
I know my obsession with this band can be overbearing at times. Like me comparing them to a woman that you wish to spend the rest of your life with. However, given my obsessions with other things: women, beer, sports, and trivia mostly, I find that this may be my most healthy obsession. So here's a review of the DVD "All I Ever Wanted", a concert video filmed at the Walt Disney Concert Hall in Los Angeles.
Let's start by exaggerating: this was the most overblown rock concert ever. The Calder Quartet , bassist Noah Harmon, and violinist Anna Bulbrook give the concert an operatic or classical feel. Mikel Jollett makes it feel like a lonely lounge act. Steven Chen's guitar and Daren Taylor's drums make it a rock band. Together, who knows where the act falls? I could tell you that they are a rock band, but so much of it is undefinable. Sure, they may have the instruments, but they don't exactly hit the songs as hard as other indie acts. It's not a matter of passion, but rather just the feel of the songs loaded with melancholy. Jollett despite hundreds of shows, still sees himself as a writer, and perhaps he is right (He confesses that he can't read music, but admittedly has an ear for it).
The concert both contains a DVD and CD for the concert. The DVD is far more disconnected, providing back-story for both the band and the preparations for the concert. Being a one-album (with only ten songs) band putting together a seventy minute show with an intermission requires some additions. Eight of the self-titled debut album's tracks feature, but they fill out the set with other bonus tracks and covers. Guest musicians pay homage to the band's Los Angeles roots, and give a playful feel to a concert that could have been overly dramatic given the classical feel of the concert hall.
The opening allows the Calder Quartet to show their talents, which maybe someone who sees them doing shows with a rock band would automatically and wrongly assume were lesser. The band's entry leads to a transition into "Wishing Well", arguably the saddest song off of the album. Following a song about a lost woman with a song about a relationship past it's expiration date might bring the concert down, but it's expected and the beat of "This Losing" is anything but sad. This might be how I feel specifically about this show: epically depressed but dancing inside. The next song continues the sentiment almost driving home the loneliness of a man not alone, but together with someone who cared for him little.
The next song, "The Book of Love" is my favorite cover on the new album. Personally, the perfection of Peter Gabriel's cover of this song by the Magnetic Fields is hard to beat. The song's use in the finale of the original Scrubs was so perfect that it almost brought me to tears. This cover sounds much more like the original, but unlike the Magnetic Fields cynical love songs seems deeper because of Mikel's story about singing it to his grandmother. It's simply a beautiful song, when the person singing it isn't jaded about love. I would highly recommend it on my mix-tape for the hopeless romantic (soon to come, but not too far off of my breakup mix-tape). The tone of the show changes deeply on this song, as the next song "Something New" drives home "the hopeless romantic who wants to dance" feel this band has perfected.
"Duet" is one of the other new songs that the band had worked into the tour, but not the album. "Duet" is a loose term in this case, as Anna's voice rarely dominates Mikel's. Again, this might just be an implied emotion as it is written from Mikel's perspective. The whole song is something I've always thought wasn't sung about enough. Lots have songs have been written about hating a lost love, or still loving them. But why not write about a lost love that just is lost. The whole song is a man saying that losing a woman was the best thing that ever happened, even if he sees her from afar and wishes that weren't the case. Painting love in black and white is never the best way to project what actually happens in most cases.
The next two songs are out of place in a concert hall. Each is a lounge song in essence. The first "Gasoline" is teeming with jealousy, the second "Happiness is Overrated" with the regret of a missed chance. The concert which was before dominated by melancholy, now has become playful, almost exuberant despite the continued theme of failed relationships. This sets up well for the song after the intermission, when the band walks in with an entire high school marching band. The choice of having a marching band behind the short and sweet "Does This Mean You Are Moving On?" is excellent, both logistically and aesthetically. This is the album's most fun song despite the depressing background, it demands the greatest amount of exuberance from the band, and having the whole marching band performing adds to the whimsy of the songs situation. Personally, I hate the next song "Rock and Roll Radio", but I understand its choice for these same reasons.
show's beginning, but I would say that the songs aesthetically improve from here on out as well.
Next is the always creepy "Goodbye Horses", if you don't know why, then you probably never watched "Silence of the Lambs". Luckily, for those of you who can't listen to then song without imagining transvestite serial killers making lady suits or Jason Mewes tucking his penis between his legs, the song itself isn't particularly bothersome here. It leads into "All I Ever Wanted", as much a love song as any this band has ever sang. The song again isn't perfect, but when is love? The implications of telling a lover that he/she's all you ever wanted and that not being enough are perhaps the scariest to anyone in a relationship. The song reeks of desperation, but instead of the others before it ends with the relationship together instead of irreparable. "Innocence", destroys all that this accomplishes, by bringing the wrecked man back to the forefront, so that we can see how fleeting the happiness is between the sorrows.
To end the show, they bring out some young LA girls to sing "Missy" with Mikel and then everyone joins them to finish the show. Missy is the cute ending that shows that this band isn't all doom and gloom. The roar of the crowd as the girls join in is as perfect as a live album can get. I've seen them live before and really the show doesn't match the sadness of the lyrics. The DVD amplifies this by zooming in on the strings and Mikel's expression. Live, it seems much more detached, and this song embodies more of the spirit of the band.
Two thoughts always come up, when I listen to this band. I always laugh when the album is referred to as misogynistic. Of course, it is misogynistic, it's a breakup album. Why would someone write something positive about a woman who cheated on him and then rubbed it in his face (as the songs imply)? It in no way implies that women are worse than men, but in this particular case the women tend to be worse. Although, "Innocence", "Something New", and "Does this Mean You're Moving On?" all imply that the man is just as much at fault or worse in the case of "Something New".
Lastly, this album has been my companion over the past few weeks; certainly outplaying the Band of Horses, Arcade Fire, and Murder by Death albums which have dominated my summer hours. The reasoning is simply due to a need for melancholic aural relief. The lyrics themselves are incredibly downbeat, depressing and hopeless in many ways. However, the delivery both Mikel's voice and the instrumental work of Anna, Noah, Steven, and Daren (plus the Calder Quartet and the many guest musicians) makes this album and the band sufficiently fulfilling as if they understand the emptiness that exists inside and fill it with beauty that tears the soul as well as uplifts. It's a mixed bag of emotions for me, and for a man who rarely expresses his emotions, verbally or physically, it exists as a catharsis that perhaps is only matched by sports in my life. Really, that's extreme value for a DVD/CD you bought yourself for Christmas.
Let's start by exaggerating: this was the most overblown rock concert ever. The Calder Quartet , bassist Noah Harmon, and violinist Anna Bulbrook give the concert an operatic or classical feel. Mikel Jollett makes it feel like a lonely lounge act. Steven Chen's guitar and Daren Taylor's drums make it a rock band. Together, who knows where the act falls? I could tell you that they are a rock band, but so much of it is undefinable. Sure, they may have the instruments, but they don't exactly hit the songs as hard as other indie acts. It's not a matter of passion, but rather just the feel of the songs loaded with melancholy. Jollett despite hundreds of shows, still sees himself as a writer, and perhaps he is right (He confesses that he can't read music, but admittedly has an ear for it).
The concert both contains a DVD and CD for the concert. The DVD is far more disconnected, providing back-story for both the band and the preparations for the concert. Being a one-album (with only ten songs) band putting together a seventy minute show with an intermission requires some additions. Eight of the self-titled debut album's tracks feature, but they fill out the set with other bonus tracks and covers. Guest musicians pay homage to the band's Los Angeles roots, and give a playful feel to a concert that could have been overly dramatic given the classical feel of the concert hall.
The opening allows the Calder Quartet to show their talents, which maybe someone who sees them doing shows with a rock band would automatically and wrongly assume were lesser. The band's entry leads to a transition into "Wishing Well", arguably the saddest song off of the album. Following a song about a lost woman with a song about a relationship past it's expiration date might bring the concert down, but it's expected and the beat of "This Losing" is anything but sad. This might be how I feel specifically about this show: epically depressed but dancing inside. The next song continues the sentiment almost driving home the loneliness of a man not alone, but together with someone who cared for him little.
The next song, "The Book of Love" is my favorite cover on the new album. Personally, the perfection of Peter Gabriel's cover of this song by the Magnetic Fields is hard to beat. The song's use in the finale of the original Scrubs was so perfect that it almost brought me to tears. This cover sounds much more like the original, but unlike the Magnetic Fields cynical love songs seems deeper because of Mikel's story about singing it to his grandmother. It's simply a beautiful song, when the person singing it isn't jaded about love. I would highly recommend it on my mix-tape for the hopeless romantic (soon to come, but not too far off of my breakup mix-tape). The tone of the show changes deeply on this song, as the next song "Something New" drives home "the hopeless romantic who wants to dance" feel this band has perfected.
"Duet" is one of the other new songs that the band had worked into the tour, but not the album. "Duet" is a loose term in this case, as Anna's voice rarely dominates Mikel's. Again, this might just be an implied emotion as it is written from Mikel's perspective. The whole song is something I've always thought wasn't sung about enough. Lots have songs have been written about hating a lost love, or still loving them. But why not write about a lost love that just is lost. The whole song is a man saying that losing a woman was the best thing that ever happened, even if he sees her from afar and wishes that weren't the case. Painting love in black and white is never the best way to project what actually happens in most cases.
The next two songs are out of place in a concert hall. Each is a lounge song in essence. The first "Gasoline" is teeming with jealousy, the second "Happiness is Overrated" with the regret of a missed chance. The concert which was before dominated by melancholy, now has become playful, almost exuberant despite the continued theme of failed relationships. This sets up well for the song after the intermission, when the band walks in with an entire high school marching band. The choice of having a marching band behind the short and sweet "Does This Mean You Are Moving On?" is excellent, both logistically and aesthetically. This is the album's most fun song despite the depressing background, it demands the greatest amount of exuberance from the band, and having the whole marching band performing adds to the whimsy of the songs situation. Personally, I hate the next song "Rock and Roll Radio", but I understand its choice for these same reasons.
show's beginning, but I would say that the songs aesthetically improve from here on out as well.
Next is the always creepy "Goodbye Horses", if you don't know why, then you probably never watched "Silence of the Lambs". Luckily, for those of you who can't listen to then song without imagining transvestite serial killers making lady suits or Jason Mewes tucking his penis between his legs, the song itself isn't particularly bothersome here. It leads into "All I Ever Wanted", as much a love song as any this band has ever sang. The song again isn't perfect, but when is love? The implications of telling a lover that he/she's all you ever wanted and that not being enough are perhaps the scariest to anyone in a relationship. The song reeks of desperation, but instead of the others before it ends with the relationship together instead of irreparable. "Innocence", destroys all that this accomplishes, by bringing the wrecked man back to the forefront, so that we can see how fleeting the happiness is between the sorrows.
To end the show, they bring out some young LA girls to sing "Missy" with Mikel and then everyone joins them to finish the show. Missy is the cute ending that shows that this band isn't all doom and gloom. The roar of the crowd as the girls join in is as perfect as a live album can get. I've seen them live before and really the show doesn't match the sadness of the lyrics. The DVD amplifies this by zooming in on the strings and Mikel's expression. Live, it seems much more detached, and this song embodies more of the spirit of the band.
Two thoughts always come up, when I listen to this band. I always laugh when the album is referred to as misogynistic. Of course, it is misogynistic, it's a breakup album. Why would someone write something positive about a woman who cheated on him and then rubbed it in his face (as the songs imply)? It in no way implies that women are worse than men, but in this particular case the women tend to be worse. Although, "Innocence", "Something New", and "Does this Mean You're Moving On?" all imply that the man is just as much at fault or worse in the case of "Something New".
Lastly, this album has been my companion over the past few weeks; certainly outplaying the Band of Horses, Arcade Fire, and Murder by Death albums which have dominated my summer hours. The reasoning is simply due to a need for melancholic aural relief. The lyrics themselves are incredibly downbeat, depressing and hopeless in many ways. However, the delivery both Mikel's voice and the instrumental work of Anna, Noah, Steven, and Daren (plus the Calder Quartet and the many guest musicians) makes this album and the band sufficiently fulfilling as if they understand the emptiness that exists inside and fill it with beauty that tears the soul as well as uplifts. It's a mixed bag of emotions for me, and for a man who rarely expresses his emotions, verbally or physically, it exists as a catharsis that perhaps is only matched by sports in my life. Really, that's extreme value for a DVD/CD you bought yourself for Christmas.
If Life Had a Soundtrack: The Breakup Mix-Tape
The next few posts will be personal ones. I've been a wreck for a while (from that time I didn't do my homework on the first day of third grade setting up a precedent of failure to the Present), so my writing absence may have been noticeable. However, I never stopped writing; I stopped posting. Rambles tend to occur when I am slightly buzzed and fully emotional, two things which rarely occurred during my life (implying that I probably skipped the slightly buzzed stage) and recently have become common ground. They will be a series of posts essentially connected about my two indefinite loves, my family (obvious) and music (This one is more of a dirty little affair).
I'm gonna be writing pretty often in the next few weeks, because simply I have no idea what else to do with my time (Work?). I have literally watched every episode of Chuck a dozen times, I have wasted over one hundred hours in bars the past month, and I really don't know anyone in this city who shares any interest of mine outside of drinking. I am going to spend the next 23 days resolving my existential crisis by writing, playing sports, and enforcing a state of cold, bitter sobriety. Then, I'm going to fall off of the wagon partially, just for the laughs.
We'll start with my typical Thursday format, and bring back an idea I started earlier in the year after the jump
I'm gonna be writing pretty often in the next few weeks, because simply I have no idea what else to do with my time (Work?). I have literally watched every episode of Chuck a dozen times, I have wasted over one hundred hours in bars the past month, and I really don't know anyone in this city who shares any interest of mine outside of drinking. I am going to spend the next 23 days resolving my existential crisis by writing, playing sports, and enforcing a state of cold, bitter sobriety. Then, I'm going to fall off of the wagon partially, just for the laughs.
We'll start with my typical Thursday format, and bring back an idea I started earlier in the year after the jump
Subscribe to:
Posts (Atom)
